ONGAKUAW 


Music Theory

Below are a few documents (essays, interviews, lectures) by Ongakuaw discussing theoretical aspects of electronic/biotic music and digital sound. Feel free to download and use them. 

 

An auto-conversation by Ongakuaw on innovation is science, art and technology, commissioned by the art magazine Greens Magazine, Cairo, Egypt

Read

Lecture by Ongakuaw at the University of Florence, Architecture Dept. on the concept of space/architecture in the music of Iannis Xenakis.  

Slides

Contributed talk delivered at the Workshop Brand New Languages! for the 2010 Fabbrica Europa Festival describing the concept of the  Gnosis#1 project, selected for Focus on Art and Science in Performing Arts.

Slides

Theoretical essay Temporal Hesitations commissioned by the Centro di Cultura Contemporanea Strozzina (CCCS) for the exhibition As Soon As Possible.

Read (italian)

Read (english)

Performative lecture/listening 3! Playlist given at Centro Tempo Reale, Firenze, discussing generative/composing ideas and musical theory. Downloadable materials include slides and textual descriptions. Yon can also see the video of the event.

Slides

Text

Invited Lecture on "Body as a Biotic Instrument" given at the International Center for Semiotics and Linguistics, University of Urbino, Urbino, for the  Conference The Sense of Dance: Dance Research and Transmedial Practices Read  
An interview discussing Biotic Music and aesthetic ideas of Ongakuaw's works. Released at CCCS.

Listen Part 1

Listen Part 2

Listen Part 3

An extended essay on the ideas concerning Biotic Music Read  
Invited Colloquium on "Body as a Biotic Instrument" given at the Philosophy Department, University of Florence, Florence, Italy Read  
A primer on musical acoustics theory and sound digitalization Read  
A talk about the concepts behind the project VIRGO MA 49–100/04 Read  
Musical analysis of Kontakte (1960) by K.-H. Stockhausen  Read  
Musical analysis of Incontri di Fasce Sonore (1957) by F. Evangelisti  Read  
Musical analysis of Aquatisme (1984) by B. Parmeggiani  Read  
Musical analysis of Studie II (1954) by K.-H. Stockhausen  Read  
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